I don’t even know how to phrase this properly. I won’t get it right.
Writers
think many things about themselves, but “common” is not one of them. Yet, there
are so many. Maternity writers, Retirement writers, Memoir writers, This Book
is a Result of my Fame in Another Career writers, Already Famous writers,
Inherited Industry writers, and any combination of a wild mix of these.
The
whole point of this blog is to demonstrate, I’m not any of those things. I
missed the boat. Went Directly to Jail, Do Not Collect MFA. If I put down a
Blame List, it would be very fucking long, and I wouldn’t be exempt, and I
would have blame on all sides for those reasons, too.
But when
the weight of the stories I’ve written, the ones rattling already done but not
written, the ideas that just bubbled up, and the random snippets, quips, and
judgments become too heavy from rejection letters, time spent, time spending
itself on me, I question what keeps me coming back.
Because
I don’t have anything to offer the world other than what I write, and nothing
behind my name to show for it, why do I do it?
I’m an
anomaly.
I hear
it, I hear you thinking “yeah, you’re special, you delicate snowflake, you
unique, glowing, shimmering diamond in the rough, what the fuck ever.”
I
carried writing with me this whole time, but I don’t have anything professional
to show for it. So, statistically, it’s likely that this blog is the only thing
that will be seen of what I write.
I have
no idea what anyone thinks of my writing, except people that already like me.
There are no agents here. No estuaries of writers that are like me. There’s no
fucking Dead Poets Society. Oh wait, I forgot, those were rich kids. Scratch that
example. Where was I? Oh, only groups that dabble and hobby, or, this one is
really great, a guild that you already have to be published to join. We
actually have a best-selling book-to-movie novelist from here. But they moved
about the time their work started getting published..from their magazine
job…after college which came immediately after school. I don’t think we should
claim them, personally. Move back next to the crack house, you want some of
“hometown’s glory.” Otherwise, we’re not good enough, then we’re just not good
enough.
So, a
group of writers who take their craft painfully serious with no published
experience of any kind. Oh, wait…scratch that, too. I published two short
stories. For online publications. For “exposure.” I don’t even post the links
for them anymore. No published experience.
What the
fuck keeps me writing? Why?
Some
days, I really buy that “for the love of the game” shit. And I do love the
game. Finishing my first novel was what I imagined the Peace Corps meant when
they said “the toughest job you will ever love.” And it was so fucking hard. As
soon as I called it done, I wanted to do it again. Taking an idea into a fully
realized section of reality, the crafting. Sometimes I think books are really
just written for other writers to read anyway, because otherwise, I never would
have caught that hat trick if I hadn’t just done it myself. Or put down the
book in awe wondering how you got those common, feudal letters to make such
profound ideas into concrete blocks. I could go on like Metatron. But I guess I
said it. That’s why I do it.
So, this
last week is a good example of the word “fraught.”
I work
close to forty hours, and that’s a goddamned gift these days. I just got off my
first paid vacation in six years. And it was a glorious example of what writing
life could be like. Then my Monday came. They’re depressing anyway. I drive
over twenty miles for a job that just crests above minimum wage, but not for
long, if other business’ have their say, because there are no jobs in my area.
I actually predict that in at least fifteen years, the town I occupy will be
called officially “dead.” It’s mostly Baby Boomers and addicts. Old houses that
are broken down occupied by people who have no money to fix them.
This
Monday was actually a small blessing, since I didn’t have to close/open. Retail
people know that misery. And with a variant drive time between fifteen and
thirty minutes and insomnia, I’m lucky to sleep. My Tuesday was okay, a little
hurried. My Wednesday was perilous. It was a holiday weekend, so everyone had
to get shit before whatever they do. And we were less than half staff. When I
got home, I was too sore and too tired to eat. My Thursday was more of the
same, short less people this time, and at the end of the shift, I was dreaming
of the Epsom salt bath I could have. But I was too tired to do it. When my Friday
came, it was all I could do to remain upright. Even though I spent most of my
Saturday sleeping, I still got up and wrote that night. My Sunday is my weekday
to get shit done. Taxes are coming up, doctor appointments, car servicing,
grocery shopping, cleaning. Right now my days are fixed, but not my shifts,
they go up and down, open, close, and mid. I don’t have a routine, I work
around work. On any given day, I have to decide, sleep or write? What’s more
important to me, health or sanity? If I stay up all hours, I will eventually be
sick. If I never write, I spiral.
So when
I bitch about Time and Money, it comes from a place where I may never get to do
the thing I love. No one will ever see the thing I love. It may happen that the
thing I love just isn’t good enough. I have no way of knowing. I may never
know.
This is
something I think every artist should experience. Being the Emperor with no
clothes. Are you brave enough to walk around with ideas in your head and call
yourself clothed? Is the craft alone good enough for you? Everything else is
transient. I have books on my shelves by writers whose book that made them
famous was not their best book, their best book was much more brave. Must have
been written for other writers. They may never see the bestseller list again.
But I’ve got their autopsy on my shelf, because it cut me open, too. For a
moment, they lived the dream. For all the good it did them.
When
Publishing fell in love with Technology, handed you they keys of instant access
to the whole world like a weapon, and demanded that you be satisfied, were you?
Satisfied with Twitter, Facebook, Blogspot, and Google+? Satisfied that anyone
can put out anything on public platforms? Satisfied with the demands that all
these facets, now created, are needed for a writer to be seen as a writer?
Publishing says it must love you, forgives your appertaining rage, do you still
rail that Publishing has become the villain? The calm, dishonorable, vile
submission to the whims of the masses.
No one
is looking for the next Stienbeck.
It’s
your job to sell you now, you’re on your own.
Oh, by
the way, why isn’t that book finished yet?